Adventures at Wilder Farm

Creating BIRD TALK

March 18th, 2012
by Lita Judge
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Creating BIRD TALK was the culmination of a life-long passion for watching and drawing birds.

 

From an early age I was exposed to birds in an intense way. My grandparents were ornithologists (scientists who studied birds) and lived in an old farmhouse filled with a menagerie of owls, hawks, and eagles. We studied hawks on the marsh in the early mornings and raised a variety of orphaned or injured birds. Some grew strong and were released back to the wild. Others stayed for a lifetime. One bird in particular was a favorite of my grandmother’s, who worked for years to breed endangered golden eagles in captivity. Each spring the eagle called sharply, and my grandmother responded by bringing sticks. Then together they built a nest. She observed her eagle so carefully; she could practically talk to it. I grew up watching this intimate relationship between ornothologist and bird, and developed a huge respect for how complex and diverse bird communication skills are.

As my grandparents worked on their research with birds of prey, I found my own area of interest. I recorded songbirds in the mornings before school so I could learn to identify them by their calls. At night, I lay in bed and listened to the screeching of rescued barn owlets, who liked to roost on the top of my grandmother’s refrigerator. One summer, when a storm took a tree snag down, I rescued several baby starlings that were nested in its trunk. I kept one of them and was tickled when it soon began to mimic the calls of my parakeet.

My parents were wildlife photographers and we watched many birds in the wild as well. In the spring before dawn, we hiked the high desert and listened to Sage Grouse boom. Their ritual performance made me laugh—I thought their puffed up chests and inflated air sacs looked like hard-boiled eggs.

But my favorite memory was canoeing alongside Western Grebes as they danced on water for their annual spring mating ritual.

As an adult I sketched the birds I watched and noted their calls and behaviors, piecing together what those calls meant. I read everything I could find about how and why birds communicate. And I wanted to create a book that explored this fascinating topic for young readers. With the illustrations for Bird Talk, I wanted to create a visual record of the exquisite forms of bird communication. What fascinates me most about bird communications isn’t just how they sing, but how they dance, strut, boom, and bob to make their meanings clear. The most rewarding part of creating Bird Talk was capturing these bird gestures with loose sketches and light color washes. What a joyful journey it’s been to grow that quiet kid who got up two hours early to watch and draw birds before school, to writing and illustrating a book about them.

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Primary Sources

November 24th, 2010
by Lita Judge
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In anticipation of my new book, STRANGE CREATURES, which will be released in Feb 2011, I decided to focus a few of my upcoming blog entries on the process and challenges of writing and illustrating a non-fiction historical biography.

STRANGE CREATURES is about Walter Rothschild and the museum that he created, and the bugs, butterflies and animals that he collected, starting from when he was just 7 years old! It seems logical to begin where the process begins – with the researching and gathering of information about my subject.

Primary Sources:
Very little has been written about Walter Rothschild. The challenge to bringing this character to life was to not only record the invaluable contributions to science that he made, but to honestly capture his eccentric charm and incredible will.

As an author I love the challenge of digging up interesting sources and uncovering the facts about my subject. To learn about Walter Rothschild I was able to travel to the museum that Walter created – now called The Natural History Museum at Tring — which is about an hour northwest of London. It was a fantastic adventure to travel to England. I viewed the public collection at the museum and then was fortunate enough to get an appointment with the Museum Manager and with the Director of Education. They generously opened up the world of Walter Rothschild to me.

I stepped into the museum archives, searched through old documents, photo albums, and the extensive collection that Walter left behind. I walked along the grounds of his family home, and thought about what it must have been like to be the son of a Lord, heir to a banking empire, but more interested in bugs, butterflies and the natural world.

(The two pictures above are of the Natural History Museum at Tring and the present day grounds around the former Rothschild Estate at Tring, which is now a school.)

Walter’s life was a contradiction of privilege and wealth alongside an overbearing amount of expectation that was placed on his young shoulders. And though few are alive who remembered Walter, I was even fortunate enough to speak to people who remembered family stories about him. These direct sources were invaluable in creating a story of the life of this complicated character. And since I’m also the illustrator, everything I learned and saw also went into the pictures in the book.

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Born to be Giants Sketches

March 28th, 2010
by Lita Judge
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This entry was posted on the Mackids Blog last week, but I wanted to re-post it here so I could include larger images–click on any of the images below to see the larger versions.

One of the challenges I enjoyed about this book was capturing the immense difference in size between baby dinosaurs and their parents. I started the illustration process by sketching loose thumbnail sketches, exploring different compositions to convey the scale of dinosaurs.

Then I began refining these ideas into detailed drawings and final art.

Throughout the sketch process, I try to keep ideas fluid. In this case, I thought an aerial view of a parent next to 5 school buses would show the immense size of a mother Argentinosaurus. But I thought there might be even a better to way to show her scale. Then I calculated that a parent weighed as much as 17 elephants. I love drawing elephants, and thought the idea was better than the first.

Originally I sketched backgrounds around the dinosaurs. But the thing I wanted to emphasize the most with each illustration was life-like gestures of the dinosaurs. My editor, Deirdre, and my art director, Danica, suggested I try a white background around the art. I loved it!

The negative space also helped tie the layout of the book together. The book has a pattern of 2-page spreads. The first offers clues (or facts) that scientists have discovered. The second is a full spread conveying educated guesses about how baby dinosaurs and their parents behaved. Combining all these details worked with this layout.

I loved creating illustrations that demonstrated how dinosaurs must have behaved like animals alive today. The challenge was to tie illustrations of living animals with dinosaurs and show their similarities.

I chose poses that were reminiscent of things we’ve seen in the animal world. For example, a dinosaur nest seen from above, as if you were looking down into a bird’s nest.

The cover – that’s always the most fun! Here are just a few of the thumbnail sketches I drew to explore how to create it.

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Pencil Sketches

January 30th, 2010
by Dave Judge
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(Written by Dave) We were just updating several of the pages on Lita’s website and thought we’d post a few pencil sketches. These are part of a story that’s currently percolating. (Click on any of the images to see them larger)

B-Hound

Acrobats

playing ambulance

cat circus

More sketches are here and more illustrations are here.

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Creative Process: Developing Characters — Part 3

December 10th, 2008
by Lita Judge
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Continuing the discussion on developing characters in my picture books, I wanted to mention the importance of secondary characters. All characters that appear in my stories are important, even if they aren’t the main characters of the story. I gather reference, do complete sketches, and then do color studies for these minor characters. Sometimes they only appear once in the book. But their role is crucial. They must have the same sense of life—the same uniqueness—as the main characters.

Here is a short series, sketches to final art, of five figures (including the dogs) who appear in “Pennies for Elephants.”

The role of the husband and wife, the “Snooty Couple”, is to ignore the little paper boy. Their gestures and clothes wordlessly portray people who aren’t interested in what the little boy is saying. Even their dog can’t be bothered to notice the paper boy’s dog. These characters add some humor. And even though they have no dialog, they convey meaning just by their attitude.

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Creative Process: Developing Characters — Part 2

November 18th, 2008
by Lita Judge
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For the second part to my series on developing characters, I thought I’d discuss the process of developing my animal characters for Pennies for Elephants. As I mentioned before, this book takes place in Boston, 1914. I demonstrated how I developed my little girl in the first part. This story also has three elephant characters. The children in the story are painted in a style which is not realistic, but rather reminiscent of an old fashioned style. Because they weren’t realistic, my elephants couldn’t be realistic either. I needed to make them slightly anthropomorphic to fit with the style of the children, but still real enough so my readers feel they were true characters.

I started as I always do by gathering reference. I found an elephant named Dinde, and her trainer was happy to work with me. Dinde did tricks and took poses that I needed for the book.

And since the characters in my book got to ride elephants… so did I! That’s the best part of creating my characters – immersing myself into the role so I can bring life to my sketches.

After working with Dinde, I was ready to begin sketching. I did hundreds, searching for the proper style to fit the children in the book and finding enough expression in the elephants faces to bring them to life. The sketches often start very crude and simple, then slowly build in character and detail.

Once sketches are done and I have found the style that works, I am ready to begin painting!

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