(Click on the images to see them a bit larger.)

From an early age I was exposed to birds in an intense way. My grandparents were ornithologists (scientists who studied birds) and lived in an old farmhouse filled with a menagerie of owls, hawks, and eagles. We studied hawks on the marsh in the early mornings and raised a variety of orphaned or injured birds. Some grew strong and were released back to the wild. Others stayed for a lifetime. One bird in particular was a favorite of my grandmother’s, who worked for years to breed endangered golden eagles in captivity. Each spring the eagle called sharply, and my grandmother responded by bringing sticks. Then together they built a nest. She observed her eagle so carefully; she could practically talk to it. I grew up watching this intimate relationship between ornothologist and bird, and developed a huge respect for how complex and diverse bird communication skills are.

As my grandparents worked on their research with birds of prey, I found my own area of interest. I recorded songbirds in the mornings before school so I could learn to identify them by their calls. At night, I lay in bed and listened to the screeching of rescued barn owlets, who liked to roost on the top of my grandmother’s refrigerator. One summer, when a storm took a tree snag down, I rescued several baby starlings that were nested in its trunk. I kept one of them and was tickled when it soon began to mimic the calls of my parakeet.

My parents were wildlife photographers and we watched many birds in the wild as well. In the spring before dawn, we hiked the high desert and listened to Sage Grouse boom. Their ritual performance made me laugh—I thought their puffed up chests and inflated air sacs looked like hard-boiled eggs.

But my favorite memory was canoeing alongside Western Grebes as they danced on water for their annual spring mating ritual.

As an adult I sketched the birds I watched and noted their calls and behaviors, piecing together what those calls meant. I read everything I could find about how and why birds communicate. And I wanted to create a book that explored this fascinating topic for young readers. With the illustrations for Bird Talk, I wanted to create a visual record of the exquisite forms of bird communication. What fascinates me most about bird communications isn’t just how they sing, but how they dance, strut, boom, and bob to make their meanings clear. The most rewarding part of creating Bird Talk was capturing these bird gestures with loose sketches and light color washes. What a joyful journey it’s been to grow that quiet kid who got up two hours early to watch and draw birds before school, to writing and illustrating a book about them.

If you’ve ever wondered—or tried to explain—what birds are saying as they flit about in trees or preen on their perches, help is here: Lita Judge’s new book, Bird Talk: What Birds Are Saying and Why, is a wonderfully illustrated compendium of bird behavior and communication for young readers.

BIRD TALK will be released on March 13th!

When Lita and I work together on these types of things, she does all the story-boarding and then I produce something quickly to get started from and then we tweak and change things until it feels right. There are many, many iterations of tweaks and changes. To get the right feel for the animation we did a lot of experimentation. We used Adobe After Effects CS5 (mac version) for the whole thing and for the animation. Here’s what the project looks like in After Effects:

We had various ideas for the music but then I saw a snippet of Prokoviev’s Romeo and Juliet on Pianopedia. It wasn’t quite long enough so I made up the rest and recorded it and it seemed to set the right mood.

There are many video settings, and I’m not sure if I went down the optimal path, but I find it quite helpful when other people post their settings, so here’s what I did. I made the “master” copy at 1280 x 720 pixels, 29.97 frames per second, using Apple QuickTime mov format. This created a 230 MB file for just over a minute of video. Then I compressed the file using Adobe Media Encoder to an MP4 format, still 1280 x 720, but now more like 20 MB. Then I upload that to YouTube where it gets compressed again into whatever format they use.

We hope you like the video!

Question: Tell me about your muses

My favorite muse is my cat, Pu. She is the inspiration behind many of my characters!

And then there is the grizzly bear I grew up watching with my parents (they are wildlife photographers). I knew someday I’d have to do a story with this bear.

Since the bear lives out in the wilds of Montana Pu finds it necessary to supervise my projects.

If you’re interested in the art and creators of picture books please read this blog. It’s the best one out there. Thanks to Jules Danielson for creating and working so hard on such an awesome blog for us all to enjoy!